Ultimately, the genius of Scorsese is not just in the mastery of the medium, but in the understanding and appreciation for the necessity of great collaborators on all levels that Scorsese has consistently utilized throughout his career. Sharon Stone gives the best performance of her career, and as far as the editing is concerned, well if you believe like Kubrick and Pudovkin that a film is not shot, but built who better to have on your team than long time cohort, collaborator, and editor Thelma Schoonmaker. Perhaps it is because I watch alot of Scorsese and Kubrick films, but I am becoming less satisfied with plot driven films and more enamored by films that possess the freedom that typical stories just don't seem to hold. This is the most honest depiction of Las Vegas, especially of the time period it was portrayed in. Every time I watch this picture I fall in love with it all over again. I never thought Pesci would be able to top his dynamic performance in Raging Bull until I saw Casino. The art direction is splendid, most likely the best of any film Scorsese has ever done. The film deals with a particular time period and a particular atmosphere and accomplishes an overwhelming achievement by creating and accurately portraying both. I would also venture to say that this is probably his most ambitious film. Along with Mean Streets Casino is probably Scorsese's most underrated and unheralded picture. De Niro’s costuming is a masterclass in bombastic power dressing, and his twists on classic tailoring - while frequently eyebrow-raising - sometimes hit the mobster-approved mark.If you haven't seen Casino yet, stop whatever it is you're doing, rush to the nearest video store, rent it, and watch it. There are pink loafers, loud checks and more garish, gaudy greens and yellows than you can shake a patterned pocket square at.Īnd yet, amongst the wince-worthy orange flares and bright red blazers, there are still some salient suiting rules to be gleaned from Casino.

These suits come in a slick, slimy rainbow of different shades with technicolour tailoring, bright separates and a whole spectrum of striking accessories asserting Ace’s domineering character through his wily wardrobe. Throughout the crime epic, which tells the story of Mafia associate Sam “Ace” Rothstein’s tenure running the Teamsters-funded Tangiers Casino, star Robert De Niro has over seventy costume changes - and wears 52 different suits. In 1995, when Martin Scorsese started filming Casino, he gave the costume department $1 million to play with.

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